The Duby Years
This page is light on images and sounds
because I really don't have but a couple of photos, and few recordings.
But, as they were somewhat dark years in
terms of judgment and success, perhaps that's appropriate...
I arrived in Lawrence, Kansas in the Fall of 1968, a National-Merit-finalist
freshman at K.U. at the tender age of sixteen.
I lived at Battenfeld
, which housed around 50 guys identified as smarter than
average and deserving of some kind of financial assistance. Each man/boy
was expected to do some work in the house in exchange for the privilege of
At the same time, my father was also at K.U.
getting his Masters in Social Work. One of his fellow students, Beth
Duby, lived across from Memorial Stadium on Mississippi Street with her four
children, Michael, Lana, Lisa, and Mitch. About November, I received
a call from Michael Duby.
At first I thought it was a woman calling, because his voice was so high.
He was looking to start a band, and was I interested? He wrote a lot
of songs, he said, and needed a guitar player to collaborate with.
So, I went over there. Michael was nothing like I had pictured him.
He was tall (my height), wiry, with long hair and a beard. He was full
of nervous energy which, at least to me, was hard to resist. This is
an odd fact because a lot of people - especially males - simply couldn't
stand him, but he was really an entertaining guy, whether you liked him or
Here's the only photograph
I have with Michael Duby, probably taken in Spring of 1969, on someone's birthday.
It was badly damaged
by water years ago.
From left: Mitch, Lana, Michael (with cat), Andy, and Lisa (obscured
And, yes, Michael was trying to look foolish for the photo.
Michael was playing bass, and he was, well...
not good at it. He had a very distinctive voice but was
not a good singer. One of his main singing influences was Marty
, if that tells you anything.
But what else did I have to do? I began to spend a lot of time, and eating
a lot of dinners, at the Duby house. Michael and I would spend some
time playing the same set of songs. I don't think we got a whole lot
better, because we really didn't have a clue about the deconstruction of
recorded music and playing in a group. We just banged away.
He had an almost-unplayable Teisco Del Rey
bass guitar and
a solid-state Silvertone amp with six 10" speakers and a baffle made of fiberboard.
My amp was a Lafayette P.A. amp with a homemade speaker cabinet. If
memory serves, I withdrew about $175 from my college savings account over
Winter break, unbeknownst to my parents, and bought a Univox hollow-bodied electric guitar
by mail order.
I believe we played a few gigs that spring (1969), with a variety of drummers
Names that come to mind are John Toda and Walt Riker. One drummer
we liked was Bobby Mansfield; I think his first name was Bobby, and I know
his last name was Mansfield.
We called ourselves The Mournings After
(great name, huh?), and we would rent a trailer and pull it with the Duby's
1960 Ford Fairlane. The gigs were high-school dances, and I'll bet
those students wondered who in the hell decided to hire US.
For a couple of those gigs, we managed to
get Bud Pettit to play drums. He was by far the best drummer,
and played with the power we needed to keep us together. Buddy would
play a large part in my musical career.
Cementing my relation with Michael was the fact that I developed a romance
with his sister, Lana, who was a student at Lawrence High School (the Chesty
Lions!), in the Spring. I didn't do as well in my classes that semester;
this National Merit Finalist actually flunked a course.
I did go back home, to San Antonio, in the Summer, where I had a temp civil-service
job at Brooke
Army Medical Center
. This is where the Army had its burn unit, and
I saw some crispy critters who'd been flown in from Vietnam.
The Summer of 1969 was when I began my career
in drug-taking as well. My sister and her friends had been taking LSD
for a while, and she persuaded me to try it. It was a huge experience
for me, and I was convinced for a while that it was the key to solving the
world's problems. Hey - I was 17, okay?
Making a choice
Over the Summer, my mother discovered my
unauthorized withdrawal with which I had bought the Univox guitar.
She blew a gasket about it and cut off funding for college. At the
time, as well, my stepfather, Mike, had received orders for Japan.
The family wanted me to go to Japan, but I was stubborn and had been bitten
by the sex/drugs/rock and roll bug. I insisted that I would return
to Lawrence in the Fall, and I did. In retrospect, I missed out on
a great experience. Ah, youth.
I was out of Battenfeld Hall, but Michael
Duby had arranged a rental house a few doors down from the Duby house, on
the southeast corner of 11th and Mississippi (the house is no longer there).
$75 a month, payable to Danna Santee, the Duby's next-door neighbor and landlady,
and wife of Olympics medalist Wes
. The house had three rooms plus kitchen and bathroom on
the first floor, and one large room upstairs. It would double as a
Our band was now Amerikan Mercury. After importing a Led-Zeppelin-fanatic
guitar player from Chicago who didn't work out, we found Ron "Jamie" Joler
to play lead guitar. He had a Gibson 355, and his favorite guitarist
was Terry Wierman
of the Fabulous
. Our drummer, Tom Burch, was from Fayette, Missouri.
Tom and I would drop acid or mescaline and stay up all night listening to
Cream "Wheels of Fire." We also had a female singer, a townie named
Sandy Binns who, to our ears, did a bang-up job with Janis Joplin numbers.
Michael had procured a 1960 Oldsmobile ambulance to haul us to gigs, and,
even though the thing hardly ran and blew tires left and right, we painted
our band name on the back windows and thought we were traveling in style.
During this time, I procured a Fender Jaguar
I had enrolled in the Fall, majoring in Music Education, but I just quit
going to class at some point, and as a result received 14 hours of F.
As my wife once said, "Smart people are stupid."
Failure; Moving in with Dad
In January, I ran out of money, and the electricity
was shut off. I put my dreams on hold and moved in with my Dad and
his new wife, Thressa, in Overland Park. I got a job running the Toddle House
at 63rd and Main in Brookside
is now an insurance office) on the graveyard shift, from 10:00 PM to 6:00
AM. I took a couple of summer-school courses at Johnson County Community
College. I also tried out for and got the leading male role (Tony) in Johnson
County's "Theatre in the Park" presentation of the musical comedy "The Boy
." Thressa was an English teacher at Shawnee Mission Northwest,
and she got me to come to her classes and give a presentation on the history
of rock music, as well as judge debates a couple of times.
My sister, Elisabeth, was a freshman at K.U. at this time, and her dorm buddy,
Karen Lundmark, had a high-school boyfriend - Doug - who played drums in
a rock band called Back Forty
in Leawood. They had a guy who
played a Farfisa organ
and a Rhodes keyboard bass, but they wanted a bass guitarist. So, I
rehearsed with them and played one gig, in Atchison. I remember singing
"Easy to Be Hard" on top of a PA speaker at that gig - I was Mister Dynamic
Performer! One perk from playing with these guys was that, for some
reason, I got to borrow a Fender Precision
AND a drum set for the summer. I kept these in my room in my Dad's
basement and played them quite a bit. I sold the Fender Jaguar guitar
to an old country-and-western guy for $100.
But Lawrence and Michael Duby were calling
me, and I listened. I moved back to Lawrence, initially living in an
apartment more or less paid for by Michael and/or Danna Santee. We
got Doug, from the Leawood band, to play drums. In 1970, the Musicians
Union provided a rehearsal hall, which was the building in North Lawrence
known as the Teepee
bands, including ours, used the hall. In guitars, I moved up to a 1960
Stratocaster with a gold-metal-flake refinish job. Bought it for $175.
Michael had moved up as well, to an old Gibson EB-0
Michael put an ad in Rolling Stone magazine and, amazingly enough, got a
bite from a guitarist in Los Angeles named Jerry Zaremba. I doubt that
this could be the same guy that played Eddie Cochran
in The Buddy Holly Story,
as Jerry was 24 years old in 1970. Jerry came from L.A. on the train.
At our first rehearsal, two things immediately became obvious: One
was that Jerry was an excellent guitarist, and the other was that he was
extremely dismayed at having come all that way to play with losers.
He almost cried.
We persuaded him to stay for a while, perhaps because we didn't have the
money to get him home. I'm glad he did. During his stay, he and
I spent a lot of time jamming, with me playing bass. We also listened
to a lot of records, and he deconstructed the songs and explained how all
the parts fit together. It was my first real understanding of the importance
of arrangement in group music. Then we would drop acid and drive fast
through underground parking garages in my Volkswagen bug. Eventually,
we ponied up the money for his trip back to L.A., and Doug dropped out of
the picture as well.
I moved into the second story of a house
at 1104 Tennessee, where my sister and her boyfriend, Jim Croft
, were living.
In the Winter of 1970-1, I had my first significant job on bass guitar (with
Michael's EB-0), playing for free for a rock musical called "Sun, Son" presented
by the K.U. Theatre Department. I still have the record, and I remember
putting in lots of hours analyzing bass lines to play. I wasn't too
smart about the sound of the bass: I used a bass-boosting stompbox
with an EB-0, whose sound is notoriously muddy to begin with.
Here's the album cover for
"Sun, Son." In those days the musicians didn't get their names on the
|Here are some songs from "Sun, Son."
As I listen 36 years later, I'm impressed with the music, if not all the
singing. And my bass parts are actually pretty good for a 19-year-old
who'd never really played bass before!
The Ultimate Trip
Ju Ju Ga Ga Bamba
I Am Sun
It Straight With Jesus and His Pa
Be All Right
Relievin' Your Grievin' Rag
I googled for Janet Hood, the music writer, director, and pianist, and found
that, apparently, she has collaborated with the lyricist, Bill Russell, more
recently and notably! Look here.
Further googling finds that Janet Hood had a duo act a few years later called
Jade & Sasparilla.
I had a real crush on her...
During this time, I was living on white crosses
pancakes with wheat germ, and milk. I had no job and virtually no income.
But it was then that I was introduced to the "real" blues with a Howlin' Wolf
album called "The Real Folk
." A revelation for me.
|Speaking of Howlin' Wolf: I
think it was 1971. I heard that Howlin' Wolf was going to appear at
Memorial Hall in Kansas City. Michael and I, and probably some other
people, went to see him. There may have been 200 people there, at most,
in a place designed to seat thousands. The Wolf was not happy, and
you sure could tell it. But he had his fine band, including Hubert Sumlin,
and I enjoyed it greatly.
In the early part of 1971, the hippie who lived in the attic dropped some
acid, lit some candles, and went out in the snow in his underwear.
The candles started a fire, and I woke up early in the morning to firemen
calling out for anyone in the house. The house was torn down, and it
was time to move on...
Here's a photo of me and my sister, Elisabeth,
which we had taken as gifts for the folks in late 1971. Not exactly
warm and fuzzy, is it?
Copyright 2006 by Andy Curry