Used Parts

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This ad from the Lawrence Journal-World advertises one of the earliest appearances of Used Parts in 1978.
Our first gig was at the Lawrence Opera House (now Liberty Hall).

Used Parts was the best band, player for player, that I've ever been in.

I do not remember whose idea it was to get together and form a band; I think there was some kind of shared consciousness that the five original "Parts" weren't doing much and might as well play together some. The Billy Spears Band had broken up when Billy broke his neck in a swimming accident on August 3, 1978. I became the regular breakfast cook at the Cornucopia Cafe "branch" which was in the Virginia Inn on 6th Street in West Lawrence. Lee McBee cooked at the main branch of the Corno at 18th and Massachusetts. Buddy was living south of Lawrence in a farmhouse, and a little later, when the Virginia Inn branch closed, Buddy got a job cooking at the Cornucopia too! That was one rockin' restaurant, whose food I had enjoyed for about four years. When things were lean with the Spears Band, Bob Case, Jimmy Ray Law, and I would play at the Cornucopia as "The Wakarusa Valley Bluegrass Boys" and get paid with a soup-and-salad bar.

I had known John Lomas since he played in Polio with Michael Duby, although I'd never really gotten to know him. In 1974, I would go to Paul Gray's Jazz Place (later the Jazzhaus) for the weekly jazz jam sessions, and he was always there playing. Lee and I, of course, went way back, but our paths had not crossed in some time.

Jim Stringer was a Used Part for one gig. He wrote:

"I was a charter member of Used Parts, as I recall was Jim Wilson, the sax player who used to be with Larry Emmitt and the Sliders. Lomas called and enticed me. Jim Wilson used to run the butcher shop in Eudora. I think Jim played for more gigs, as I recall -- but, as was my life at the time, I was traveling so much with Centron that the first gig had to also be my last... at least, I don't recall doing any after that, as much as I would have liked to."

Jim is right about his being a charter member, but wrong about Jim Wilson's being a member at the beginning.

At left is an early publicity collage - hey, it was cheap to make - which shows, from top left going clockwise, Lee McBee, Becky Reed, John Lomas, Andy Curry, Jim Stringer, and Bud Pettit. I like how whoever put this together made Jim's "hands" rest on the shoulders of Buddy and me.

Any further uses of this collage for publiciity just whited out his name and ignored his presence in the collage...

Mike Beisner may have been a Used Part for the first gig too. Mike was a trumpeter/keyboardist/arranger/singer who, I believe, had been one of the Lettermen for a time.

I remember fairly vividly how we came to have our band name. I wrote down a page full of ideas for names, and took it to the Opera House when somebody was playing who would be sure to draw a big crowd. I asked everyone I could what name he/she liked best, and Used Parts was the winner. For our first gig, just to reinforce the used-parts idea, I brought an aluminum-case Powerglide transmission and set it on stage. Once was enough for that...

We practiced in my little house at 329 Elm in North Lawrence. I still had the JBL speakers from the Penetrations days, at least until I lent them out for an outdoor gig and a lamebrain sound guy fried a high-frequency driver by sending a full-range signal to it. We generally borrowed PA stuff from Billy Spears or Dwane Richardson.

Funny thing is, I don't remember where we practiced after I left that house and moved in with Amy Pavone in 1980. We must have worked up material, but I don't remember where. Ah, memory; where does it go?

	These five photos were taken at one of our first Used Parts gig at the Opera House (now Liberty Hall). You see that most of us were still kinda doin' the cowboy thing in apparel. John's trusty old Stratocaster consists of the neck and electronics from the gold-metalflake 1960 Strat I owned during the Penetrations, and the body from John Wilhite's '65 Strat. Doh! John Lomas, Lee McBee, Becky Reed, Andy Curry
	John, Lee (hidden), Becky, Andy, and Bud Pettit. Looks like we borrowed those white Peavey mics from Dwane Richardson for this gig.
	I got a basset hound puppy in 1978 and named him Clyde. Poor thing, I actually brought him to an Opera House gig one time. He just sat on the stage. John, Lee, Becky.
	John and Lee.
	Bud with cheesy grin. Notice the lamp on top of the bass amp, sharing space with beer. The lamp was a fixture of ours until we realized it was just one more stinkin' piece of equipment to lug around.