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| <--- Back to page 3 Bonus photos page ----> |
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This photo is one from the
professional shoot in 1973. I borrowed the duds I'm wearing here -
which I subsequently bought - from John Wilhite's clothes boutique.
Plaid bellbottoms, yeah! |
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Here's one of us playing
at Potter's Lake on the K.U. campus, playing in front of our bus. I
know this must have been Spring or Summer of 1973 because a) Darrell's crutches
are visible at the lower right corner, b) Brad's playing a Fender Rhodes,
and c) we were using one of the Shure Vocal Master columns as a monitor,
meaning we had our JBLs as main speakers. |
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Becky, Andy, and most of
Bud's drums, on stage at the Red Baron in 1972. |
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Becky, Bud, and Andy on stage
at the Red Dog. This has to be "late" Penetrations 'cause I had my
hair in a shag cut. I like this photo for the composition, angle, and
lighting. |
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We get a break, of sorts. In the Summer of '73, Michael Duby was in one of Kansas's fine penal institutions, and we didn't really know how, or want, to do the work of booking gigs. Steve Dahl, a successful booking agent and former member of the Red Dogs, happened to catch an outdoor gig we did on the K.U. campus and, perhaps influenced by something he may or may not have smoked, thought we were ready for his increased attention (he told me this a few years later when he was the primary booking agent for the Billy Spears Band). Here's Becky singing outdoors on the K.U. campus, must have been Fall of '73. I don't know if this was the gig where Steve heard us or not, but it well could have been. Two things to notice: One is John Lomas in the background, leaning against the bus. John was playing with Michael Duby's band "Polio" at the time and would later become one of the Used Parts. The other is Becky's "Big Eat 73" button. The Big Eat was something of a tradition among local hippies for a few years, a mini-mini-Woodstock on Robbie Schall's farm. Substances were consumed. Becky would later marry Robbie when she came back from Oakland, have a child, and divorce him. Robbie died in the early 1980s. |
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Buddy, Andy, and Darrell before a gig in our
cheesy tuxes. |
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Our Equipment (for the gearheads)
I was also attached to my Guild Starfire bass guitar, a short-scale bass
which had very little fundamental in its sound (I think there must have been
something wrong with it, but we never found it), so I used a bass-booster
box with it. At first, I was using a Sunn Sorado head with a Sunn speaker
with two JBL D140s. Later, we had an Ampeg VT22 guitar amp we didn't
need, so we cut the portion off of it and used it as the bass head, making
it the equivalent of a V4B. Sometime in '73 I offed the Starfire and
got a Fender Mustang bass, a big improvement.Darrell always used a Gibson ES-345 and a Fender Twin Reverb. The 345 is a stereo guitar, but he used a "Y" adapter with both cables plugged into the single amp. Brad started out playing an RMI electric keyboard, which we plugged into a Traynor head - don't remember the model, but it had 4 6CA7 output tubes and a good clean sound. The RMI had no touch control but it DID have an organ sound. Brad didn't like it. At some point Brad acquired a Leslie speaker and a Hammond M3 organ. That sounded sweet, but carrying that rig up and down the stairs to the loft was hard. The "late" Penetrations era saw Brad using a Fender Rhodes piano, with no way to produce an organ sound at all. At some point he acquired a full-range speaker with woofer and tweeter horn. Buddy, of course, played his blue-sparkle Ludwig drums with an assortment of great Zildjian cymbals. We started out with a Shure Vocal Master PA. This was 100 watts, 6 mic inputs, and column speakers. In late '72 or early '73, we acquired JBL scoops and horns. This was a BIG improvement in our sound. We kept one of the Shure columns for use as a monitor speaker. We didn't have the best mics. Becky used an AKG D100, I used a Shure 55 (the "Elvis" mic, not that great); Buddy used a Shure Unidyne, and Brad used a Turner 510. |
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Crazy Feeling - an Etta James ballad, done just right.. Chickenpox - Booker T. and the MGs, solid funky once past the beginning. Darrell shows off his wah-wah and some jazzy playing, seventies style. I Brought It All on Myself - an early Little Richard tune. Sounds like we're a little fuzzy on the arrangement, but Lee McBee adds blues harp on this one. Right Hand Blues - nice ditty by Brad Reynolds concerning ... masturbation. Mama, He Treats Your Daughter Mean - by Ruth Brown. It's fast! I Fall to Pieces - Patsy Cline. Becky does a good job once past the first line. Chain of Fools - Aretha, of course. This sounds so much more seventies than earlier Penetrations! Maybe it's the damn Fender Rhodes and wah-wah. Rock My Baby Right - our last song, a jump blues arrangement by Darrell. Lee McBee sits in. Mushy speech and bumper-sticker giveaway. |
The Last gig. The Penetrations reunited for one more gig, at Minsky's, in 1974, before Darrell, Brad, and Becky left for other parts. Darrell went to Boston to study at Berklee. Becky went to Oakland, CA. Brad went to Seattle. Buddy was on the road with the show band he had left the Lee Stover Trio for, so ex-Tide drummer Steve Hall sat in - with ONE rehearsal - and did a fine job. Bud's high harmonies were sorely missed. Mushy speeches were made, and the Penetrations were history. These recordings show a group of musicians that had lost some youthful energy but were individually much more skilled and seasoned than when they began the Penetrations two and a half years earlier. |
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